![]() ![]() When you put these factors together, they point inexorably to a need for a solution like FLOW, which is built on scalable distributed technology stack and optimized for media at every level.ĭaVinci Resolve is a super-powerful application in itself but it was never designed to sit at the center of a global, interconnected digital media ecosystem. At the same time, the amount of video content across the planet is showing explosive growth. In the new COVID world, remote working and collaboration are no longer “nice to have” but completely essential. We’ve all had to innovate, so much so that new ways of working that might have taken years before have now been planned and implemented in just a few weeks. The last decade has changed technology and entertainment far beyond what anyone would have predicted, and on top of that, everyone is currently dealing with the consequences of a global pandemic. Today, in a world that would have seemed unimaginable back then, DaVinci Resolve has more than 2M users, and has grown into one of the most fully featured applications in post production. But if you could afford it, or sometimes even if you couldn’t, it brought an extraordinary level of capability to its users. Just eleven years ago, when DaVinci Resolve was hardware-based and usually found in the plush and rarified grading suites of only the top level post production houses, there were around a hundred installations. ![]()
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